• Andrew Donnelly
  • About
  • Instagram
  • My Body as a Metal Rod (ongoing)
  • Charcoal Works (ongoing)
  • My Paper Genome, 2024
  • Funnel Tongue, 2024
  • Caught On Heels, 2023
  • Pony Boy Hood, 2023
  • Affliction Hood, 2022
  • Sequencing, 2021
  • Machine, 2021
  • Playing With My Bedside Lamp, 2020
My Body as a Metal Rod (ongoing)
Charcoal Works (ongoing)
My Paper Genome, 2024
Funnel Tongue, 2024
Caught On Heels, 2023
Pony Boy Hood, 2023
Affliction Hood, 2022
Sequencing, 2021
Machine, 2021
Playing With My Bedside Lamp, 2020
Andrew Donnelly
About
Instagram

Andrew Donnelly is a Toronto-based multidisciplinary artist working across photography, image transfer, and mixed-media practices. Their work investigates identity, perception, and individual consciousness as structured by forces beyond the self, particularly synthetic systems and ideological frameworks that condition the conscious and subconscious.


Grounded in photographic process but materially expansive, Donnelly constructs layered, often sculptural works using acrylic sheets, inkjet image transfers and charcoal, among other materials. Through methods of obscuring, containment and distortion, they investigate how identity and perception are filtered through constructed systems. These material interventions operate as both barrier and lens, positioning consciousness and identity as mediated rather than inherent.


Engaging with the intersection of epistemology and existentialist philosophy, Donnelly destabilizes fixed notions of individuality. Their work considers subjectivity not as stable or singular, but as something manipulated, stratified, and refracted through cultural, political, and perceptual systems.


Contact: andrewdnly@gmail.com


CV

Andrew Donnelly is a Toronto-based multidisciplinary artist working across photography, image transfer, and mixed-media practices. Their work investigates identity, perception, and individual consciousness as structured by forces beyond the self, particularly synthetic systems and ideological frameworks that condition the conscious and subconscious.


Grounded in photographic process but materially expansive, Donnelly constructs layered, often sculptural works using acrylic sheets, inkjet image transfers and charcoal, among other materials. Through methods of obscuring, containment and distortion, they investigate how identity and perception are filtered through constructed systems. These material interventions operate as both barrier and lens, positioning consciousness and identity as mediated rather than inherent.


Engaging with the intersection of epistemology and existentialist philosophy, Donnelly destabilizes fixed notions of individuality. Their work considers subjectivity not as stable or singular, but as something manipulated, stratified, and refracted through cultural, political, and perceptual systems.


Contact: andrewdnly@gmail.com


CV